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One of the most
memorable made-for-TV
horror films of the
1970s, Satan's School
for Girls is set an
exclusive institution of
learning in Salem, MA,
where students have been
committing suicide at an
alarming rate. A young
woman named Elizabeth Sayres (Pamela Franklin)
enrolls at the
all-girl's school under
an assumed name, hoping
to find out why her
sister felt compelled to
kill herself and begins
to explore the
extracurricular
activities that secretly
exist. She becomes
friend with another
student Roberta Lockhart
(Kate Jackson)
and together they try to
find the obscure truth.
For a number of girls,
studying demonic
teaching rather than
their textbooks is
unfortunately what makes
an "A" student. The two
young woman end up
walking the same dark
hallways that
Elizabeth's sister
walked before she met
unmentionable fate. Slowly and
deliberately, Elizabeth
is drawn into a coven of
Satan worshipers -- and
soon she realizes that
she herself has demonic
potential.
A made-for-TV movie of
the week for ABC
network, Satan's School
for Girls, despite its
bad title, is not a bad
chiller at all. Pamela
Franklin and Kate
Jackson are excellent in
their roles and a creepy
atmosphere with some
scary moments, make it
an enjoyable thriller.
Both Franklin and
Jackson appeared in
several thriller movies
in the early 70s and it
is a real pleasure
watching them act
together, as there is a
real chemistry between
them. The film grabs
your attention as a
viewer right from the
start and gradually
builds on the level of
tension and suspense
most effectively. It's
too bad that when it
comes time to deliver on
the promised scares,
this one falls rather
short of the mark.
Obviously there were
limits with regards to
what could be shown on
television in the time
and era but honestly, I
think the real problem
here is they show and
give away too much (and
by doing so effectively
ruin that illusion they
were trying to create at
the start). It would
have been more effective
to have shown as little
as possible of the
victims and the menace
itself, leaving more for
the audience to decipher
for themselves. Of course it is
predictable a movie, the
script is a bit flat
with minor twists and
turns and the viewer
suspects how the ending
will be, but watching it
today after so many
years, its great fun and
one can say that it is a
real cult classic film.
The prolific TV
production tandem of
Aaron Spelling and
Leonard Goldberg
produce us another doozy.
The duo brought us the
1970's kitsch staples
Charlie's Angels,
Fantasy Island and The
Love Boat. Then they
went on to action
programs like TJ Hooker
in the '80s before
turning to teen soap
operas in the '90s with
Beverly Hills 90210.
The tandem had a knack
for plugging in episodes
that dealt with pressing
and relevant social ills
and issues, facing
whatever program was on
the air, from drugs - to
gang violence - to the
homeless. Satan's
School for Girls is
no different, warning
impressionable young
women against the
dangers of falling for
the minions of evil.
Before they really got
into the TV series
swing, they co-produced
several made for TV
movie exploitation
pieces like the
kidnapping caper
Snatched and the
invitation only Death
Cruise. They also
had a hand in a couple
of supernatural
thrillers, including
Chill Factor and Satan's
School for Girls.
Of special interest is
the presence in the cast
of two future Charlie's
Angels regulars, Kate Jackson
and Cheryl Ladd (here
billed under her maiden
name, Cheryl Jean Stoppelmoor).
Kate Jackson was
just coming off of her
stint on Dark Shadows,
and a supporting roll as
officer Danko's wife on
The Rookies.
Combine that with Ladd's
appearance, and that's
why the film is
sometimes called
Satan's Angels. The
video box I have
prominently shows Ladd
on the front but her
screen appearance is
minute. Pamela Franklin
would continue on,
exploring the
supernatural, in Legend
of Hell House the very
next year. And as much
as I despise bell
bottoms and most '70s
fashions, all the gals
look quite fetching in
those hip-huggers.
Delecroix
is an interesting
character that should
have been featured more.
He's a weirdo but an
interesting weirdo, with
sufficiently whacko
theories. These theories
are important to the
story but the screenplay
just skims along the
surface, refusing to get
into the guts of
something that could
have proven interesting
-- giving this film an
original twist.
Instead it just toddles
along, is sufficiently
spooky and engaging, but
it could have been
better. The script is so
blasé about Satan's
presence (or whoever the
hell Thinnes is supposed
to be) that one
scratches one's head
wondering why they
didn't just stick with
the brainwashing idea
and make Satan the
Macguffin.
So it also falls into
the familiar cheese-dick
ending cliché, that
dominated any movie from
the '70s that concerned
themselves with the
cloven one. The
protagonists would score
a symbolic victory only
to reveal Satan still
lurking in the
background, ultimately
victorious by default or
treachery. (See The
Devil's Rain that I
swear we will review
here one of these days.)
The film was remade in
2000 starring another
Spelling protégé,
Shannon Dougherty.
Jackson returned, as
well, this time playing
the headmistress of the
school.
I hate to call Satan's
School for Girls good
but there really isn't
anything wrong with it.
There are some effective
and creepy moments,
especially the scenes of
Liz sneaking around the
campus grounds, her
white robe flowing and
illuminated whenever the
lightning striked.
One
thing this does possess
is a talented cast and
this is largely as
competent as it is
thanks to the fine
performances given by
Terry Lumley, Kate
Jackson, Jamie-Smith
Jackson, Lloyd Bochner,
Roy Thinnes and Pamela
Franklin. Interesting is to see
two Charlie's Angels
star together, as Cheryl
Ladd (credited as Cheryl
Stoppelmoor) has a small
role with Franklin and
Jackson. Roy Thinnes is
very good as the Devil.
Originally broadcast by
ABC on September
19, 1973, Satan's School
for Girls was remade for
television in 2000 by
Aaron Spelling, with
Kate Jackson
assaying the role of the
school's sinister
headmistress (originally
played by Jo Van Fleet). The
remake, although the
great visual effects,
cast and music
score, obviously lacks
the originality and the
cheap but sheer 70s
horror atmosphere and
fun that the original
Satan's School for girls
had.
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